Easter and Peppers
One year, I think it was when I was somewhere around 13 or so, my mother put into my basket a box of Edward Weston note cards (we were one of "those" families...the ones who gave note cards AND used them).
It was that one introduction that began a life long love of photography. From there, and back TO there, I travel in my adoration of the visual image. I began to study Weston, Penn, Karsh ( I actually HAVE a Karsh portrait of my grandmother!) ,Avedon, Stieglitz, Sally Mann, Henri Cartier-Bresson, Annie Liebovitz, Ansel Adams, Immogen Cunningham...and on and on and on...and much of my personal aesthetic has been garnered from a patchwork of appreciation of these artists.
I am so very grateful to have had parents who steeped me in art and books, music and theatre. I had Picasso picture books when I was tiny, and heard classical music growing up. I was encouraged to grow my tender creative shoots, with classes and toys and supplies. My mom was a smart mom. When I was 6 or so, she came home with a huge sheet of linoleum, cut to fit under my bed, and I could slide that sucker out at any time and paint to my heart's content without messing the carpet up.
So for me, Easter means a LOT of things, but aside from all the Booty collected, and the resultant fluoride treatments at the dentist, I am most grateful right now for the Edward Weston pepper cards that showed up in my Basket that year. It has been a long and wonderful ride since that Spring.
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